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Chord of the Day
Reviews

What We Do (2006):
Guitar One Magazine
All About Jazz.com


FreakZoid (2006):
Reviews Coming Soon!


Controlled by Radar (2002):
Tombstone Fanzine
www.jazzlives.org
Fuse.Net
Jambands.com
High Bias
AllAboutJazz.com
Progressiveworld.net
FuseNet
Appropriate Apocalypse Webzine


Addition by Subtraction (2001):
www.laboratoriopop.com.br
High Bias
EatMag.com
BASSically.net
Aiding & Abetting


Ripe (1999):
Through Different Eyes
Progression Magazine
Legatogort's Progressive Rock Reviews
Delire Musical
20th Century Guitar


The Hand Farm (1997):
Stormbringer
The Laser's Edge
Expose' Magazine
Big Bang Magazine
Alternative Music Press
AllMusic Guide
Ace of Disks
2001 Newsletter
Alternate Views






FuseNet

Let's get one thing clear up front: this is definitely not your "typical" fusion album (if there can even be said to be such a thing). I'm sure some will even argue that it isn't "fusion" at all (though I would beg to differ with this viewpoint). I suspect that as more of us hear it, we'll probably see a few more strong opinions here, both pro and con.

The album is divided into two discs, "Right Brain (Electric)" and "Left Brain (Acoustic)". Overall, much of CbR has a loose, "live in the studio" feel to it; while I don't know the details of how they approached the recording of this album, I assume that much of it was improvised.

First up, "Right Brain". It's hard for me to describe what's going on here, but think in terms of late-model Tribal Tech meets David Torn meets King Crimson, and you're probably getting warm. The tunes are varied, and there's some great playing from all three musicians; but I think Vic Stevens is really the unsung hero -- his drumming really keeps things moving along. Yes, "Right Brain" can be noisy and dissonant at times; but nowhere near as noisy or dissonant as, e.g., the Bailey/Metheny/Bendian/Wertico album from a few years back (which, to this day, I just don't "get").

"Left Brain" leads off with a beautiful, understated little number called "A Darkness Falls Upon Us", which to me seemed to have a "European chamber jazz" feel… kind of like the albums Bill Connors did while he was with ECM. The rest of the "Left Brain" material runs the gamut… if you're a fan of Hellborg's Eastern-influenced acoustic stuff, there are a few tracks that should please; there is some dissonant, arhythmic material here as well, but in moderation. In spite of the occasional forays off into the ozone, I'd say "Left Brain" still feels more composed than "Right Brain", overall.

General impressions… Well, if you're expecting another "Hand Farm" release, or even another "Addition By Subtraction", you will be disappointed. But if you're willing to listen with open ears, there is really quite a lot to like about this album. I hear three exceptionally talented musicians, experimenting and pushing the envelope in several different directions; if this sounds like an appealing combination to you, this album will be a welcome addition to your collection.

Regarding the "Scott has left the house" comments from the earlier thread... well, I think that is a pretty apt metaphor. CbR is a walk in the wilderness -- full of stark landscapes, moments of chaos, and flashes of beauty. I certainly won't mind at all if Scott decides to "return home" for a visit now and then; but for now, I wish him luck on this journey -- may it be an interesting and rewarding one, for both the musicians, and those who choose to listen.



Review by Mike Uchima